- 正在播放《欧洲的某个地方》HD中字 - 点此切换线路(超清线路1)
- 提醒不要轻易相信视频中的任何广告，谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢，可尝试切换播放节点或者切换解析
- 收藏青苹果影院网址：www.3dddy.com / www.3dddy.com ,记得收藏哟～
剧情：
cccSomewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form. 3dddy . C om收起
相关影片
2025剧情片美国
米莉·波比·布朗 克里斯·帕拉特 关继威 杰森·亚历山大 安东尼·麦凯 伍迪·诺曼 吉安卡罗·埃斯波西托 斯坦利·图齐 伍迪·哈里森 布莱恩·考克斯 珍妮·斯蕾特 汉克·阿扎利亚 科尔曼·多明戈 艾伦·图代克 德文·达尔顿 泰瑞·诺塔里 马丁·科勒巴 帕蒂·哈里森 亚当·克罗斯代尔 Gabrielle Maiden Chris Silvestri 布洛克·布罗姆 库利·卡尔文 阿兰·波尔 Myles Evans 安吉拉·戴维斯 兰德尔·P·海文斯
《电幻国度》是一部壮观的冒险片，由《复仇者联盟4：终局之战》的导演倾情打造。故事设定在一个充满复古未来色彩的20世纪90年代。米莉·波比·布朗（《怪奇物语》、《福尔摩斯小姐》、《少女斗恶龙》）饰演
HD中字
2025剧情片大陆
HD国语
2024剧情片日本
HD
2025剧情片印度
康格娜·拉瑙特 阿努潘·凯尔 普米卡·查瓦拉 萨提许·卡素吉 米林德·索曼 玛希玛·乔杜里 施瑞亚斯·塔尔帕德 斯科特·亚历山大·杨 R·巴克提·克莱因 克里斯托夫·吉贝 Adhir Bhat Mannveer Choudharry Ashok Chhabra Manoj Singh Kaira Alok Gagdekar Mrinal Roy
根据1975年发生的真实事件改编。讲述了印度历史上最有权势的女性之一英迪拉·甘地夫人领导下发生的事件aaa
HD
2025剧情片大陆
HD国语
2025剧情片大陆
HD
2023剧情片日本
HD
2024剧情片日本
HD
2025剧情片大陆
HD
2025剧情片美国
HD
2024剧情片菲律宾
HD
2023剧情片法国
拉斐尔·蒂里 艾曼纽·德芙 玛丽-克里斯汀·奥里 Mireille Pitot Alexis Louis Lucas Vincent Thomas Cesare Capitani 佐然·布克尔玛 卢多维克·布克尔玛 娜塔莎·凯许曼
WrittenbyAnaïsTellenne,thestoryrevolvesaroundthecharacterofRaphaël.Nearingsixtywithablindeyeandanimp
HD
2025剧情片日本
HD
2025剧情片韩国
HD
正在热播
更多
2024国产动漫番剧中国大陆
热播
更新至第18集
2021国产动漫番剧中国大陆
热播
更新至206集
2024国产动漫番剧中国大陆
热播
更新至第16集
2024国产动漫番剧中国大陆
热播
更新至第100集
2020国产动漫番剧中国大陆
热播
更新至第162集
2023国产动漫番剧中国大陆
热播
更新至79集
2024国产动漫番剧中国大陆
热播
更新至21集
2022国产动漫番剧中国大陆
热播
更新至137集
2024国产动漫番剧中国大陆
热播
已完结
全27集
2024动画片中国大陆
热播
HD
2024国产剧中国大陆
热播
全40集
2024国产动漫番剧中国大陆
热播
已完结
