- 正在播放《关于在短时间内的某几个人的经过》HD中字 - 无插播高清
- 提醒不要轻易相信视频中的任何广告,谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢,可尝试切换播放节点或者切换解析
- 收藏青苹果影院网址:www.3dddy.com / www.3dddy.com ,记得收藏哟~
剧情:
cccVoice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s. 3dddy . C om收起
在线观看
播放节点列表
相关影片
2024剧情片其它
HD中字
2007剧情片泰国
《曼谷之恋》是泰国第一部于影院上映的同性恋电影,并同时作为2007年11月22日-12月2日在香港举办的同志影展第18年的开幕影片eee 云(RattanabalangToesawad饰)是个冷
HD
2025剧情片日本
HD
2023剧情片荷兰 / 留尼汪岛 / 印度尼西亚 /
HD中字
2025剧情片美国
丹尼斯·奎德 雅各布·特伦布莱 Terry J. Nelson Bobby Gilchrist Kezia DaCosta 尼克·奥弗曼 梅根·莫拉莉 Ruby Wolf Buddy Campbell Tommy Kramer Jared Carter Jennifer Nesbitt-Eck Mike L. Thomas Cheryl Vanwinkle Jason Cochran 克里斯·格林 杰德·费尔南德斯 William Sherman Astrid Allen Alonso Rappa
Basedonrealevents,thestoryfollowsafatherandson(OffermanandTremblay)whoidentifyasSovereignCitizens,
HD中字
2025剧情片美国
杨紫琼 山姆·理查森 欧玛瑞·哈德威克 詹姆斯·廖 凯西·罗尔 罗伯特·卡辛斯基 亨伯利·冈萨雷斯 Avaah Blackwell 米库·玛尔提诺 乔·平格 斯文·鲁格洛克 Cindy Goh Augusto Bitter Jimmy Chimarios Houston Wong Nikita Kim
杨紫琼饰演平行宇宙的PhilippaGeorgiou女皇,加入了“第31区”,即星际迷航里的秘密警察组织。 剧情会集中在PhilippaGeorgiou于「第31区」的冒险ddd
HD中字
2022剧情片西班牙
HD中字
2025剧情片香港
HD中字
2025剧情片香港
HD
2025剧情片美国
HD中字
2023剧情片美国 / 英国
马修·古迪 安东尼·霍普金斯 欧拉·布莱蒂 乔迪·巴尔弗 丽芙·丽莎·弗赖斯 斯蒂芬·坎贝尔·莫尔 帕德莱克·德兰尼 里斯·曼尼恩 索姆·毕绍普斯 Gary Buckley George Andrew-Clarke Anna Amalie Blomeyer Cara Christie
改编自哈佛大学博士阿尔芒·尼格利的畅销书《上帝之问》。该剧讲述了精神分析学家西格蒙德·弗洛伊德在其晚年之际,邀请了英国一位并不出名的年轻教授C.S·刘易斯到他伦敦的家里做客。两人就弗洛伊德近期所出版的
HD
2023剧情片俄罗斯 / 芬兰
HD
2023剧情片俄罗斯
玛丽亚·露可安诺娃 杰拉·奇塔瓦 Daro Akimidze Koba Akimidze Aleksandr Cherednik Christina Chernyavskaya Anna Grigoryeva Ivan Ivashov Dmitry Khalileyev Issa Khasatsov Stasya Khomeriki-Grankovskaya Dmitry Khromyh Islam Kurukov 克塞妮娅·库捷波娃 Albert Misirov Anna Mustina Nikolay
一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活,包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北,在他们广阔国家的极端气候中漫游bbb
HD
正在热播
更多2024国产动漫番剧中国大陆
热播
更新至第119集
2025国产动漫番剧中国大陆
热播
更新至第08集
2023国产动漫番剧中国大陆
热播
更新至第138集
2025国产动漫番剧大陆
热播
更新至38集
2020国产动漫番剧中国大陆
热播
更新至181集
2024国产动漫番剧中国大陆
热播
更新至93集
2024国产动漫番剧中国大陆
热播
更新至86集
2023国产动漫番剧中国大陆
热播
更新至98集
2024国产动漫番剧中国大陆
热播
更新至第40集
2022国产动漫番剧中国大陆
热播
更新至第156集
2020国产动漫番剧大陆
热播
更新至152集
2023国产动漫番剧中国大陆
热播
更新至第124集
2025国产动漫番剧中国大陆
热播
更新至第05集
2024国产动漫番剧大陆
热播
更新至132集